Stolen Antiquities

April 13, 2007 • Volume 17, Issue 14
Should museums return relics to their country of origin?
By Adriel Bettelheim, Rachel Adams

Introduction

A looter holds an ancient urn from the Isan Bakhriat archaeological site in Iraq. Since Saddam Hussein's fall, looters have stripped unguarded archaeological digs throughout the country.  (Getty Images/Matt Moyer)
A looter holds an ancient urn from the Isan Bakhriat archaeological site in Iraq. Since Saddam Hussein's fall, looters have stripped unguarded archaeological digs throughout the country. (Getty Images/Matt Moyer)

An ancient vase at New York's Metropolitan Museum of Art is fueling an intensifying ethical and legal debate about some of the world's most celebrated works of art. Two years ago, Italian authorities produced evidence the ancient vessel had been smuggled from Italy and demanded its return. Such prized artifacts have raised thorny questions about the ownership of cultural treasures in private collections and museums around the world. The controversy — and attendant criminal trials of alleged smugglers — is also shedding new light on the secretive world of antiquities collecting — a realm populated by tomb robbers, wealthy connoisseurs and aggressive dealers and curators. Some experts estimate that up to $4 billion worth of precious art is being illegally traded. Whatever their worth, ancient artworks are priceless to Italy, Egypt and other nations increasingly using cultural artifacts to exert political leverage and stoke national pride.

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Apr. 13, 2007  Stolen Antiquities
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Jun. 05, 1987  The Art Market
Jan. 22, 1982  Trends in Architecture
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